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December 6, 2015. Archived from the original on November 15, 2022. Retrieved January 12, 2023. ^ "March comes in like a lion Tops Da Vinci Magazine's Rankings for 2nd Year". Anime News Network. December 7, 2016. Archived from the original on December 19, 2020. Retrieved October 31, 2021. ^ Pineda, Rafael (December 7, 2017). "March comes in like a lion Manga Tops Da Vinci Magazine's Rankings for 3rd Straight Year". Anime News Network.

litt. : « Le Poing de la Grande Ourse[1] » ou plus précisément « Le Poing du grand chariot »), est un manga de type shōnen imaginé et dessiné par Tetsuo Hara, et écrit par le scénariste japonais Buronson. Ken le Survivant a été à l'origine prépublié entre 1983 et 1988 dans le magazine Weekly Shōnen Jump de l'éditeur Shūeisha. Après la parution de la franchise en format manga, Hokuto no Ken est adapté en anime par Toei Animation, et à l'origine diffusé du 11 octobre 1984 au 18 février 1988 sur Fuji TV, adaptant le manga jusqu'au tome 24. En France, l'anime, rebaptisé Ken le Survivant est diffusé dans les années 1980 dans l'émission Club Dorothée sur la chaîne TF1 ; cette version deviendra culte pour son adaptation censurée et édulcorée. En 2021, la série devient disponible en streaming sur la plateforme ADN.

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[125] An official dōjinshi art book was published at Comiket, with art by Ponkan 8 (Shirobako and My Youth Romantic Comedy Is Wrong, As I Expected), Yuka Nakajima (Listen to Me, Girls. I Am Your Father!, Amagi Brilliant Park), and TakayaKi (Arifureta Shokugyou de Sekai Saikyou). [126] A crossover with Natsume Akatsuki's light novel series KonoSuba, titled Re:Starting Life Blessing This World was published on December 21, 2016. [127] The book featured interviews with each series' authors and illustrators, as well as the principal voice actors in their respective anime adaptations. A one-shot crossover manga by Daichi Matsuse and Masahito Watari (illustrator of the KonoSuba manga adaptation) was also included. [128] A fanbook containing commentary on the episodes of the anime, as well as the collected Animate Times cast and staff interviews, was published on December 31, 2016. [129] Bushiroad released a Booster Pack set and Trial Deck+ of Re:ZERO -Starting Life in Another World- for Weiß Schwarz on December 28, 2018. [130] Reception[edit] According to Japanese light novel news website LN News, the series had 1 million copies in print by June 2016;[131] over 2 million by September of the same year;[132] and over 3. 1 million by May 2017. [133] It had over 11 million copies in circulation by January 2022. [134] The overall series (light novel and manga adaptations volumes) had over 13 million copies in circulation by March 2023 (including digital versions). January 27, 2020. Archived from the original on February 25, 2021. Retrieved June 14, 2020. ^ 漫画『マッシュル』完結、連載3年半に幕 パワーで魔法を粉砕するファンタジー. Oricon (in Japanese). July 3, 2023.
Tezuka's work—and that of other pioneers in the field—inspired characteristics and genres that remain fundamental elements of anime today. The giant robot genre (also known as "mecha"), for instance, took shape under Tezuka, developed into the super robot genre under Go Nagai and others, and was revolutionized at the end of the decade by Yoshiyuki Tomino, who developed the real robot genre. [35] Robot anime series such as Gundam and Super Dimension Fortress Macross became instant classics in the 1980s, and the genre remained one of the most popular in the following decades. [36] The bubble economy of the 1980s spurred a new era of high-budget and experimental anime films, including Nausicaä of the Valley of the Wind (1984), Royal Space Force: The Wings of Honnêamise (1987), and Akira (1988). [37] Neon Genesis Evangelion (1995), a television series produced by Gainax and directed by Hideaki Anno, began another era of experimental anime titles, such as Ghost in the Shell (1995) and Cowboy Bebop (1998). In the 1990s, anime also began attracting greater interest in Western countries; major international successes include Sailor Moon and Dragon Ball Z, both of which were dubbed into more than a dozen languages worldwide. In 2003, Spirited Away, a Studio Ghibli feature film directed by Hayao Miyazaki, won the Academy Award for Best Animated Feature at the 75th Academy Awards. It later became the highest-grossing anime film,[b] earning more than $355 million. Since the 2000s, an increased number of anime works have been adaptations of light novels and visual novels; successful examples include The Melancholy of Haruhi Suzumiya and Fate/stay night (both 2006). Demon Slayer: Kimetsu no Yaiba the Movie: Mugen Train became the highest-grossing Japanese film and one of the world's highest-grossing films of 2020. [38][39] It also became the fastest grossing film in Japanese cinema, because in 10 days it made 10 billion yen ($95.