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[26] One of the film's key animators was Makiko Futaki; she went on to become a lead animator for Studio Ghibli films such as Kiki's Delivery Service (1989), Princess Mononoke (1997) and Howl's Moving Castle (2004), before passing away in 2016. [28] Another key animator who worked on Akira was former Shin-Ei animator Yoshiji Kigami; he animated several entire scenes in Akira, such as the action scene in the sewers. He later joined Kyoto Animation. [29] Releases[edit] Box office[edit] Box office performance Territory Release(s) Distributor rentals Gross receipts Ticket sales Japan 1988 ¥750,000,000[30] ¥1,900,000,000[31] 1,699,463 (est. )[31] 1989–2000 ¥50,000,000[32] ¥120,000,000[31] 103,359 (est. )[31] 1988–2000 ¥800,000,000[32] Un­known Un­known 2005–2007 — ¥137,000,000[33] 111,253 (est.

^ a b Harvey, Dennis (October 31, 1999). "Film Review: "Perfect Blue"". Variety. Archived from the original on February 15, 2020. Retrieved May 20, 2019. ^ Chapman, Paul (August 9, 2018).

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We also get your email address to automatically create an account for you in our website. Once your account is created, you'll be logged-in to this account. DisagreeAgree Notify of new follow-up comments new replies to my comments Label [+] Stickers Name* Email* chapter_id I allow to create an account When you login first time using a Social Login button, we collect your account public profile information shared by Social Login provider, based on your privacy settings. We also get your email address to automatically create an account for you in our website. Once your account is created, you'll be logged-in to this account. DisagreeAgree Label [+] Stickers Name* Email* chapter_id 18 comments Newest Oldest Most Voted Inline Feedbacks View all comments THE ONE WHO DESIRES DEATH 1 month ago Bruh i can’t with
This art 0 Reply Light of Hope G Tracer 2 months ago How unfortunate it turned out this way. From the misleading plot to sudden unrealistic power increases. It’s wasted potential. 2 Reply loner clan isukmyowndick 2 months ago BIG NEWS :
ART change chapter 27 it’s make MC look uglier (for me) 1 Reply yvesdakempo2 3 months ago Leaving my comment here after reading 23 chapters, there’s not enough chapters yet for me to rate the story, definitely not an original one, it’s regression high fantasy where portals and monsters appeared in real world along with the status window system, I’m not complaining though, as long the system are not just for decoration, it’s good for me.
The downside so far is the forced plot armor where ordinary people suddenly get stronger, and unrealistic reaction where the MC Daughter saw dead bodies but she didn’t have a breakdown or puking, impossibly calm for normal teenager unless she was a psycho murderer or something similar. It’s okay tho i could still tolerate it. [67][68] Despite enjoying the scenario, UK Anime Network said that Dororo could have "from having a less staccato narrative" as well as a more balanced storytelling. He still recommended the series to Berserk and Demon Slayer: Kimetsu no Yaiba fans due to the heavy fights and narrative style. [69] Notes[edit] ^ Credited as プロデュース (Produce) rather than as a プロデューサー (Producer) References[edit] ^ "Dororo". Fuji Creative Corporation. Archived from the original on January 20, 2021. Retrieved January 20, 2021.
Even the strange in-film product advertisement for McDonald’s makes an off-putting reprise. We let it slide in ‘Weathering With You’ on the grounds that it represented a part of everyday life in Tokyo, but this unsubtle rebound was inexcusably distracting (just how much money did it cost to be featured in the year’s biggest anime release, anyway?). Photo: ©2022SNTFP The story behind these magic portals and the places that they lead to is never fully explained to us, either. The doors primarily serve as a plot device to move the story along, occasionally inducing flashbacks to Suzume’s past where we’re given some insight to the loss of her mother without learning much about who Suzume was before she set out on her destiny-changing adventure. Still, Shinkai demonstratively puts far too much work into his visually breathtaking scenes to dismiss ‘Suzume’ as a half-hearted cash grab. Like an artist who paints the same composition repeatedly, Shinkai appears to be on a tireless quest for perfection, tweaking earlier versions of his works to reflect his evolving philosophy, trying to make them better by leaving stronger impressions on his audiences.