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[90] THEM Anime's Raphael See applauds the film's "astounding special effects and clean, crisp animation". [91] Chris Beveridge comments on the Japanese audio, which brings "the forward soundstage nicely into play when required. Dialogue is well placed, with several key moments of directionality used perfectly". [92] Janet Maslin of The New York Times commends Otomo's artwork, stating "the drawings of Neo-Tokyo by night are so intricately detailed that all the individual windows of huge skyscrapers appear distinct. And these night scenes glow with subtle, vibrant color". [93] Richard Harrison of The Washington Post comments on the pace of the film, stating that the author "has condensed the narrative sprawl of the comics to provide coherence, though there's a bit of "Back to the Future Part II" incompleteness to the story.9月1日(4) [September 1st: Part 4]. Weekly Shōnen Jump. Hunter × Hunter (in Japanese). Shueisha (11). ↑ Togashi, Yoshihiro (October 24, 2000). 9月3日(17) [September 3rd: Part 17]. Weekly Shōnen Jump. Hunter × Hunter (in Japanese). Shueisha (47). ^ Togashi, Yoshihiro (July 31, 2001). 9月10日(3) [September 10th: Part 3].
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