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[182] Kimlinger agreeably felt the musical score to be appropriate in most instances, but criticized the English dub as "a letdown since day one". [14][15] 2011 series[edit] Madhouse's 2011 adaptation was met with near-universal critical acclaim. Adrian Marcano from Inverse considered Hunter x Hunter 2011 to be one of the greatest anime series ever. He said that the anime set itself apart with one of the greatest story arcs in anime history in which the villain, not the hero, takes the anime to instant classic status. He also said that, "It is in the 2011 version where we see probably one of the best story arcs in anime history: the Chimera Ant Arc. "[183] According to Movie News Guide and Latin Post, the Madhouse's 2011 version received more viewers not only in Japan but also around the world, particularly in North America. [184][185] Digital Fox Media's Michael Basile of Fox Sports Digital Media praised the animation quality of the new adaptation, "the animation actually appears to get better and better as the series progresses. The color palette can shift from vibrant and inviting to grim and menacing at the drop of a hat, the character designs are unique and appealing, the CG is very minimal, and the action sequences are some of the best that the shōnen genre has ever produced, on-par with the best works of Studio Bones. It's almost miraculous how consistently beautiful this anime is. " He also considered it to be "one of the best anime of all time. "[186] Nick Creamer held similar sentiments, writing "the show's fantastic aesthetics elevate it above almost everything out there – in direction, in sound design, in pacing, in animation, in basically every relevant aesthetic metric, Hunter x Hunter triumphs.

"Makoto Shinkai's Suzume Anime Film Has Sold Over 2 Million Tickets Outside Japan". Crunchyroll. Archived from the original on April 1, 2023. Retrieved April 1, 2023. ^ a b c Abanes, Mariel (February 21, 2023). "Suzume no Tojimari to premiere in Southeast Asia this March". NME. Archived from the original on February 22, 2023. Retrieved February 22, 2023. ^ 신카이 감독 신작 '스즈메의 문단속', 2023년 3월8일 국내 개봉. IT Chosun (in Korean).

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Gasshole It Wasn't Me Princess Kenny Defeating the C. Lets Fighting Love Amphibia - Seas. Horton Hears A . Sa diffusion est prévue pour le printemps 2024[57]. Bandai Namco Arts a annoncé en mars 2020 que le manga dérivé Tensura nikki (転スラ日記?) de Shiba est également adapté en anime[50],[51]. Celui-ci est réalisé par Yuji Ikuhara également chez 8-Bit avec pour assistant réalisateur Tsutomu Kasai, qui sont respectivement le producteur des CG et le producteur exécutif de la série principale, ils sont accompagnés de Kotatsumikan pour la supervision des scripts, de Risa Takai et de Atsushi Irie en tant que character designers et de R・O・N (ja) pour composer la bande originale[50],[51]. Initialement prévue entre janvier 2021 et mars 2021[52],[53], la diffusion de la série a également dû être décalée pour finalement être diffusée du 6 avril 2021 au 22 juin 2021 sur Tokyo MX, MBS, BS11, TVA, TVh, TVQ, GYT, GTV[58]. Crunchyroll dispose des droits de diffusion en simulcast/streaming de l'ensemble de la franchise dans le monde entier, excepté en Asie[59],[60],[61]. Depuis le 18 août 2021, une version française de la premiere saison est également diffusée par la plateforme[62],[63],[64], réalisé par le studio de doublage SDI Media Belgium, sous la direction artistique de Frederik Haùgness, par des dialogues adaptés de Jennifer Grossi et Ludivine Marcvalter[65], une version française pour la série dérivée Tensura nikki (転スラ日記?) est également annoncée pour le 1er octobre 2021[66]. Dans les pays européens francophones, la première saison est aussi diffusée en streaming sur la plateforme Anime Digital Network depuis février 2021[67]. En France, la chaine télévisée J-One diffuse la seconde saison depuis le 16 janvier 2021[68]. Muse Asia diffuse l'anime en Malaisie, en Thaïlande, en Inde, en Indonésie, au Bangladesh, au Laos, au Myanmar, au Népal, au Vietnam, au Brunei, au Cambodge et au Bhoutan[69],[70]. Hors-série[modifier | modifier le code] Un OAD devait initialement être publié le 29 mars 2019, avec le 11e volume du manga, mais il a été reporté pour le 4 décembre 2019 avec le 13e volume du manga à la suite de « diverses circonstances » dans sa production[71] ; celui-ci est un épisode spécial réunissant les différents personnages de la série[72]. Un deuxième OAD est publié le 9 juillet 2019 avec le 12e volume du manga[73].
He often writes metaphorical situations with Kiruko's menstrual cycle being caused by clashing with Maru's lips when awakening from an hallucination from a Hiruko's attack. [16] Kiruko a represents a gradation of spiritual sexuality. The school is depicted as a kind of thought experiment in a world where sexual elements are abolished. The Hiruko in general were based on diseases as well as Cambrian-period organisms. [18] Adaptation[edit] Director Hirotaka Mori was worried about whether or not he would be able to handle it. However, he had known the animation producer Masashi Ohira for a long time since he started directing, who motivated him to work on it. He felt like he was going to have a good time. As much as the expectations have been raised, Mori felt stronger that he had to make a proper product, and meet everyone's expectations. He was particularly attracted by the premise of the two storylines and how it would change in the future. [21] Writer Makoto Fukami had previously read And Yet the Town Moves which made him interested in Heavenly Delusion. The offer to make the anime happened before the fourth volume was going to be released, so the staff had doubts how to end it.