tokyo revengers saison 3 episode 3 retardé
I felt no connection to her or her relationship with the main character.
As for Ryouma himself, there wasn’t much hope for his personality. Being your average isekai protagonist means he can’t manage anything beyond generically “nice” or passive, lest the audience loses the ability to self-insert themselves into him for even a second. There’s some stuff about how he’s dealing with the traumatic experience of his previous life, but it’s only ever briefly mentioned and never gets explored as much as I wanted. Every so often it’d cut back to scenes of Ryouma’s previous life to show how it sucked compared his new one, and I’d actually get a bit more invested. I’d have liked if the show jumped back and forth between his two lives more often, but instead we had to watch him
scrub a sewer or walk around some mines or something. It reminded me of
Youjo Senki – where I was all on board for the theological pissing match between a cynical salaryman and “God”, but the show kept interrupting that with the forgettable magic WW1. 5 stuff.
I feel like my biggest frustration with the plot was how procedural everything felt. There’s like three episodes spent on Ryouma setting up a laundry business with his slimes, and it all just happens without any narrative twist or anything. We watch him go to some merchant lady to get funding, acquire a building and renovate it, open the business, hire some staff, and so on.
Vous pouvez toujours découvrir de nouveaux animés à travers la section « Animes populaires ». French-Anime n’héberge pas les épisodes mais utilise des serveurs de streaming comme Dstream, Evoload, Vudeo, et uqload. Vous aurez donc toujours plus de choix. Le site est très bien
organisé et le design est très bien fait. On aime bien la petite étiquette qui indique le nombre d’épisodes disponibles pour chaque anime. Sans
oublier que French-anime n’affiche pas trop de pub ce qui est toujours apprécié.
[53][54] Despite the negative reactions, first episode reactions were generally positive, and some viewers liked both seasons. [55] Awards[edit] Year Award Category Recipient Result Ref. 2018 49th Seiun Awards Best Dramatic Presentation Kemono Friends Won [56] Tokyo Anime Award Festival Animation of the Year (Television) Won [57] Controversies[edit] Dispute between Kadokawa and Yaoyorozu[edit] On September 25, 2017, the director of the anime, Tatsuki, revealed on Twitter that Kadokawa had decided to replace him for the production of the second season. Fan response included immense condemnation of Kadokawa and widespread support of Tatsuki, as Tatsuki is regarded as being a highly instrumental part of the anime's charm and success. [58][59][60][61] Fans left angry comments en masse towards Kadokawa on Niconico Douga's stream of the first episode, with some declaring that
they would cancel their Niconico Douga premium membership with the service in response to Tatsuki's firing, as Dwango [Niconico's owner] and Kadokawa are both child companies of Kadokawa Dwango. [62] The Nikkei reported that stock prices for Kadokawa Dwango fell by 3. 3% compared to the previous day at the Tokyo Stock Exchange as a result of the news. [63] In the weeks before this incident, animation studio Yaoyorozu had released a free teaser side episode to its fans, pursuant to their
agreement with Kadokawa that Yaoyorozu would be allowed full creative freedom in developing Kemono Friends, an agreement made at a time where the Kemono Friends IP appeared to be near worthless, an agreement they wished to change in response to the soaring value of the IP. In response to the controversy, production committee of the Kemono Friends anime announced that director Tatsuki and the animation studio Yaoyorozu had been using the Kemono Friends property on its own without consulting all concerned parties and that Yaoyorozu would not agree to a normalization in communication and withdrew from the project as a result. [64] A September 26 Kemono Friends streaming program on Niconico Douga then featured several voice actresses from the anime publicly apologizing for the ongoing controversy, despite having little connection to the corporate decisions made. This led to further backlash against Kadokawa, with accusations that they had used the actresses to deflect blame from the company itself.
