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Archived from the original on October 19, 2021. Retrieved February 20, 2021. ^ ケンガンオメガ 10 (in Japanese). Shogakukan. Archived from the original on October 19, 2021. Retrieved February 20, 2021. ^ ケンガンオメガ 10 (in Japanese). Shogakukan. Archived from the original on October 19, 2021. Retrieved February 20, 2021. ^ ケンガンオメガ 11 [Kengan Omega 11] (in Japanese).

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Anime News Network. Archived from the original on July 9, 2022. Retrieved November 7, 2021. November 2021: Hazra, Adriana (December 5, 2021). "Demon Slayer Complete Box Set Ranks #3 on U. S. Genki Desu, Shunpei by Fumi Saimon (1983) Akira by Katsuhiro Otomo (1984) Okashi na Futari by Jūzō Yamasaki (1985) Adolf by Osamu Tezuka and What's Michael? by Makoto Kobayashi (1986) Actor by Kaiji Kawaguchi (1987) Bonobono by Mikio Igarashi and Be-Bop High School by Kazuhiro Kiuchi (1988) Showa: A History of Japan by Shigeru Mizuki (1989) 1990s The Silent Service by Kaiji Kawaguchi and Gorillaman by Harold Sakuishi (1990) Kachō Shima Kōsaku by Kenshi Hirokane and Waru by Jun Fukami (1991) Naniwa Kin'yūdō by Yūji Aoki (1992) Parasyte by Hitoshi Iwaaki (1993) Tetsujin Ganma by Yasuhito Yamamoto (1994) Hanada Shōnen Shi by Makoto Isshiki (1995) The Ping Pong Club by Minoru Furuya (1996) Dragon Head by Minetarō Mochizuki (1997) Gambling Apocalypse: Kaiji by Nobuyuki Fukumoto and Sōten Kōro by Hagin Yi and King Gonta (1998) Wangan Midnight by Michiharu Kusunoki (1999) 2000s Vagabond by Takehiko Inoue (2000) 20th Century Boys by Naoki Urasawa (2001) Zipang by Kaiji Kawaguchi (2002) Tensai Yanagisawa Kyōju no Seikatsu by Kazumi Yamashita (2003) Basilisk by Masaki Segawa (2004) Dragon Zakura by Norifusa Mita (2005) Mushishi by Yuki Urushibara (2006) Big Windup! by Asa Higuchi (2007) Moyasimon: Tales of Agriculture by Masayuki Ishikawa (2008) Oh My Goddess! by Kōsuke Fujishima (2009) 2010s Giant Killing by Masaya Tsunamoto (2010) March Comes In like a Lion by Chica Umino and Space Brothers by Chūya Koyama (2011) Vinland Saga by Makoto Yukimura (2012) Gurazeni by Yūji Moritaka and Keiji Adachi and Prison School by Akira Hiramoto (2013) Shōwa Genroku Rakugo Shinjū by Haruko Kumota (2014) Knights of Sidonia by Tsutomu Nihei (2015) Kōnodori by Yū Suzunoki (2016) The Fable by Katsuhisa Minami (2017) Sanju Mariko by Yuki Ozawa and Fragile by Saburō Megumi and Bin Kusamizu (2018) What Did You Eat Yesterday? by Fumi Yoshinaga (2019) 2020s Blue Period by Tsubasa Yamaguchi (2020) Yuria-sensei no Akai Ito by Kiwa Irie (2021) Police in a Pod by Miko Yasu (2022) Skip and Loafer by Misaki Takamatsu (2023) vteTezuka Osamu Cultural PrizeGrand Prize1990s Fujiko Fujio for Doraemon (1997) Jiro Taniguchi and Natsuo Sekikawa for the trilogy Bocchan No Jidai (1998) Naoki Urasawa for Monster (1999) 2000s Daijiro Morohoshi for Saiyū Yōenden (2000) Reiko Okano and Baku Yumemakura for Onmyōji (2001) Takehiko Inoue for Vagabond (2002) Fumiko Takano for The Yellow Book: A Friend Named Jacques Thibault (2003) Kyoko Okazaki for Helter Skelter (2004) Naoki Urasawa for Pluto (2005) Hideo Azuma for Disappearance Diary (2006) Ryoko Yamagishi for Terpsichora (2007) Masayuki Ishikawa for Moyashimon (2008) Fumi Yoshinaga for Ōoku: The Inner Chambers and Yoshihiro Tatsumi for A Drifting Life (2009) 2010s Yoshihiro Yamada for Hyouge Mono (2010) Motoka Murakami for Jin and Issei Eifuku and Taiyō Matsumoto for Takemitsuzamurai (2011) Hitoshi Iwaaki for Historie (2012) Yasuhisa Hara for Kingdom (2013) Chica Umino for March Comes in like a Lion (2014) Yoiko Hoshi for Aisawa Riku (2015) Kei Ichinoseki for Hanagami Sharaku and Kiyohiko Azuma for Yotsuba&! (2016) Fusako Kuramochi for Hana ni Somu (2017) Satoru Noda for Golden Kamuy (2018) Shinobu Arima for Jitterbug The Forties (2019) 2020s Kan Takahama for Nyx no Lantern (2020) Kazumi Yamashita for Land (2021) Uoto for Orb: On the Movements of the Earth (2022) Kiwa Irie for Yuria-sensei no Akai Ito (2023) Special
Award1990s Toshio Naiki (1997) Shotaro Ishinomori (1998) Fusanosuke Natsume (1999) 2000s Frederik L. Schodt (2000) Akira Maruyuma (2001) Shigeru Mizuki (2003) Tarō Minamoto (2004) Kawasaki City Museum (2005) Kousei Ono (2006) International Institute for Children's Literature, Osaka Prefecture (2008) 2010s Yoshihiro Yonezawa (2010) Weekly Shōnen Jump (2012) Fujiko Fujio (A) (2014) Chikako Mitsuhashi for Chiisana Koi no Monogatari (2015) Kyoto International Manga Museum (2016) Osamu Akimoto for Kochira Katsushika-ku Kameari Kōen-mae Hashutsujo (2017) Tetsuya Chiba for Ashita no Joe (2018) Takao Saito for Golgo 13 (2019) 2020s Machiko Hasegawa for Sazae-san (2020) Koyoharu Gotouge for Demon Slayer: Kimetsu no Yaiba (2021) Kazuo Umezu for Zoku Shingo: Chiisana Robot Shingo Bijutsukan (2023) Award for
Excellence Moto Hagio for A Cruel God Reigns (1997) Yūji Aoki for Naniwa Kin'yūdō (1998) Akira Sasō for Shindō (1999) Minetarō Mochizuki for Dragon Head (2000) Kotobuki Shiriagari for Yajikita in Deep (2001) Kentaro Miura for Berserk (2002) Creative
Award Yumi Hotta and Takeshi Obata for Hikaru no Go (2003) Takashi Morimoto for Naniwadora ihon (2004) Fumiyo Kōno for Town of Evening Calm, Country of Cherry Blossoms (2005) Asa Higuchi for Big Windup! (2006) Nobuhisa Nozoe, Kazuhisa Iwata and Kyojin Ōnishi for Shinsei Kigeki (2007) Toranosuke Shimada for Träumerei (2008) New Artist
Prize Suehiro Maruo for The Strange Tale of Panorama Island (2009) Haruko Ichikawa for Mushi to Uta (2010) Hiromu Arakawa for Fullmetal Alchemist (2011) Yu Itō for Shut Hell (2012) Miki Yamamoto for Sunny Sunny Ann! (2013) Machiko Kyō for Mitsuami no Kami-sama (2014) Yoshitoki Ōima for A Silent Voice (2015) Yuki Andō for Machida-kun no Sekai (2016) Haruko Kumota for Descending Stories: Showa Genroku Rakugo Shinju (2017) Paru Itagaki for Beastars (2018) Sansuke Yamada for Areyo Hoshikuzu (2019) Rettō Tajima for Mizu wa Umi ni Mukatte Nagareru (2020) Kanehito Yamada and Tsukasa Abe for Frieren (2021) Natsuko Taniguchi for Kyōshitsu no Katasumi de Seishun wa Hajimaru and Konya Sukiyaki da yo (2022) Ganpu for Danchōtei Nichijō (2023) Short Story
Award Hisaichi Ishii for Gendai Shisō no Sōnanshātachi (2003) Risu Akizuki for OL Shinkaron (2004) Rieko Saibara for Jōkyō Monogatari and Mainichi Kaasan (2005) Risa Itō for One Woman, Two Cats, Hey Pitan!, Onna no Mado (2006) Hiromi Morishita for Ōsaka Hamlet (2007) Yumiko Ōshima for Cher Gou-Gou. mon petit chat, mon petit ami (2008) Hikaru Nakamura for Saint Young Men (2009) Mari Yamazaki for Thermae Romae (2010) Keisuke Yamashina for C-kyū Salaryman Kōza, Papa wa Nanda ka Wakaranai (2011) Roswell Hosoki for Sake no Hosomichi (2012) Yoshiie Gōda for Love of Machine (2013) Yuki Shikawa for Onnoji (2014) Sensha Yoshida (2015) Tatsuya Nakazaki for Jimihen (2016) Kahoru Fukaya for Yomawari Neko (2017) Taro Yabe for Oya-san to Boku (2018) Ken Koyama for Little Miss P (2019) Yama Wayama for Captivated, by You (2020) Hiroko Nobara for Kieta Mama Tomo and Tsuma wa Kuchi o Kiite Kuremasen (2021) Izumi Okaya for Ii Toshi o and Hakumokuren wa Kirei ni Chiranai (2022) Ebine Yamaji for Onna no Ko ga Iru Basho wa (2023) Retrieved from "https://en. His editor at the time was nervous of him beginning the manga this way and recommended he transition to a battle-focused plot after about 30 chapters. [7] YuYu Hakusho borrows many elements from Asian folklore, particularly Buddhist beliefs in the afterlife. [2][5] Togashi came up with the concept of the Ningenkai (Human World), Reikai (Underworld), and Makai (Demon Plane) as being parallel planes of existence in the manga's universe. He thought of them as places that one could not easily travel between using modern technology, but rather as a spirit lacking a material body. [8] However, the idea for the "territory" powers from the Sensui story arc was parodied from a separate, unnamed work by Yasutaka Tsutsui. [12][13] For his drawing materials, Togashi used drafting ink and Kabura pens throughout the creation of the series. While his style of artwork began with screentone, he gradually developed into minimalism. As the series progressed, he would draw figures and faces very detailed or "cartoony, sketchy and jumping with action" whenever he desired such effects. [8] During the years he worked on YuYu Hakusho, Togashi would calculate the personal time he had based on a formula of four hours per page without scripting and five hours of sleep per night. [14] He wrote in his own dōjinshi Yoshirin de Pon! that he stopped the production on YuYu Hakusho out of selfishness. [15] The author had originally wanted to end the manga in December 1993, at the climax of the Sensui arc.