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^ ジョジョの奇妙な冒険 第3巻 ディオの世界の巻. suruga-ya. jp (in Japanese). Archived from the original on May 11, 2013. Retrieved July 13, 2012. ^ ジョジョの奇妙な冒険/関島 眞頼/山口 宏/荒木 飛呂彦. books. shueisha. co. jp. Shueisha.For example, while in the west Sailor Moon is regarded as a magical girl series with some yuri elements, in Japan the series is regarded by yuri magazines as a "monumental work" of the genre. [68] The Sailor Moon example further illustrates how fans, rather than publishers or creators, often determine whether a work is yuri; Sailor Moon was not conceived as a yuri manga or anime, but "became a yuri text"[69] based on how the work was interpreted and consumed by yuri fans. [63][67] Nominal sexual content[edit] A page from Kisses, Sighs, and Cherry Blossom Pink (2003–2012) by Milk Morinaga. Sexual content in yuri is rarely more explicit than the hand-holding and kissing depicted here. Yuri works generally do not depict graphic sex scenes. Unlike yaoi, where explicit depictions of sexual acts are commonplace and stories typically climax with the central couple engaging in anal intercourse, sexual acts in yuri are rarely more explicit than kissing and the caressing of breasts. [30] Kazumi Nagaike of Oita University argues that this general avoidance of sex "does not mean that female sexual desire is effaced" in yuri, but rather that the absence of sex "clearly derives from the importance which is placed on the spiritual female-female bond. "[30] "Crimson Rose and Candy Girl"[edit] The majority of yuri stories published in the 1970s and 1980s were tragedies, focused on doomed relationships that end in separation or death (see History above). [37] Yukari Fujimoto, a manga scholar at Meiji University, notes that the tragic plot of Shiroi Heya no Futari became a common yuri story archetype that she dubs "Crimson Rose and Candy Girl". These stories depict "Candy", a physically smaller character with lighter hair and a naive personality, who admires "Rose", who is generally taller, with long dark hair and a serious demeanor. [37] The characters bond over a common unhappiness, usually originating from their respective home lives.
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