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[5] Several episodes incorporate references, homages, and parodies of popular media. [16] The Japanese episode titles use four-character idioms referencing the theme of that episode's story. They drew from multiple sources, including Japanese and Western sayings (the first episode's title, "Shippu Doto", is a Japanese rendering of the German saying "Sturm und Drang"), philosophical concepts ("Inga Oho" references a proverb about the workings of karma), and pieces of classic media (the episode title "Anya Koro" references Naoya Shiga's novel of the same name). The English episode titles were created by translator Ryan Morris. Morris did not directly translate the Japanese titles, instead using alliteration to preserve the rhythm and meaning. [17] Characters[edit] The series follows the exploits of the three leads−Fuu, Mugen, and Jin−when they are drawn together by circumstance and end up traveling together to find the sunflower samurai. [18][10] The main cast was created by Watanabe,[18] who wanted a cast of heroes who were silly, immature, and dangerous, with "a touch of insanity". [5] He described Mugen and Jin as unconventional people not bound by the rules of the period. [19] The characters were designed by Kazuto Nakazawa, who had worked as both an artist and director on multiple projects including Ashita no Nadja and the anime segments of Kill Bill: Volume 1. [20] The early character drafts were more to Nakazawa's tastes than the wishes of the production team, resulting in numerous redrafts based on requests. [21] The voice recording included sessions with all three leads together, which caused occasional tensions due to their different work backgrounds.

^ 【5月7日付】本日発売の単行本リスト. Natalie (in Japanese). Natasha, Inc. May 7, 2021. Retrieved June 25, 2022. ^ 【9月9日付】本日発売の単行本リスト. Natalie (in Japanese). Natasha, Inc. September 9, 2022. Retrieved September 9, 2022. ^ 【12月9日付】本日発売の単行本リスト.

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albeit with a sword a size that humans can actually wield. His cold but logical manner of speaking are refreshing in a genre that is largely defined by self-righteous protagonists spouting idealistic nonsense. Goblin Slayer will save whom he can, but he is also capable of recognising the limits of his power and putting those with mortal wounds out of their misery. He knows that fighting requires planning and a clear head just as much as it requires strength. An eye for an eye, a tooth for a tooth is his way of living, but he does not try to moralise his lifestyle, instead believing that his endless lust for revenge makes him just as violent and as brutal as the goblins themselves. He has a sort of awareness and intellect that most anime protagonists lack, which makes the desolate world he lives in feel just a little bit more authentic. But those who are not a fan of darker or more morally ambiguous protagonists will only find the anime more unappealing with his presence. "Edgy", "pretentious", others might say. Considering that one's enjoyment of Goblin Slayer is almost entirely decided by their interest in the protagonist, and consequently his goblin slaying journey, those who do not find these sorts of characters appealing are well within their right to dislike the anime as a whole. But to say he is dark merely for the sake of being dark would be something of a lie. No, he is dark because he grew up in an awful world with rapey, murderous goblins. En ce qui concerne l'intérieur de la maison c'est Halton House (en) à RAF Halton dans le Buckinghamshire, qui a servi de décor[14]. Les scènes du trône ont été filmées dans la Single Cube Room de Wilton House près de Salisbury. Une combinaison de Hampton Court Palace et de Lancaster House a constitué le Palais Saint James de la série[15]. Wilton House a été utilisé pour l'extérieur et l'entrée du domaine de Simon Basset, Hastings House. Syon Park House Estate à Londres et Badminton House dans le Gloucestershire constituaient le reste du domaine. Le domaine Clyvedon de Simon a été tourné au Château Howard dans le Yorkshire du Nord pour l'extérieur[15]. Pour le village de Clyvedo c'est le petit village de Coneysthorpe qui a été utilisé. Le Château Howard fournit le décor de plusieurs scènes pour le domaine du Duc de Hastings. L'entrée de l'extérieur du domaine du Duc de Hastings. Le Temple des Quatre Vents, utilisé pour le tournage. Le grand hall d'entrée.