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TitleDirected byOriginal release date1"Computer Studies"
Transliteration: "Konpyūtā de obenkyō" (Japanese: コンピューターでお勉強)Hiroyuki KitakuboOctober 27, 1995 (1995-10-27) 25-year-old Kintarō Ōe obtains a janitorial job at an all-woman software firm led by the Ferrari-driving, skimpily clad Madame President. An electrical accident jeopardizes the firm's future, allowing Kintaro to put his newly acquired programming skills to the test. 2"Temptation of the Maiden"
Transliteration: "Otome no yūwaku" (Japanese: 乙女の誘惑)Yasuhito KikuchiNovember 22, 1995 (1995-11-22) Working as a campaign staffer for a mayoral candidate, Kintarō is asked to tutor his boss' attractive teenage daughter, Naoko Katsuda, who wants more from him than help with her math homework. 3"Danger! The Virgin's First Love"
Transliteration: "Kiki! Otome no hatsukoi" (Japanese: 危機!乙女の初恋)Hiroyuki MoritaDecember 22, 1995 (1995-12-22) A car accident has left the owner of an udon restaurant temporarily handicapped, and Kintarō is helping out and learning the trade. The owner's daughter, Noriko has a well-heeled suitor, but a series of events leads Kintarō to doubt his sincerity. 4"Swimming in the Sea of Love"
Transliteration: "Yasei no umi o oyogu" (Japanese: 野性の海を泳ぐ)Akihiko NishiyamaApril 26, 1996 (1996-04-26) Kintarō has challenged the local swimming coach (and former Olympic athlete) to a race, but he first needs to learn how to swim. While training, however, his situation with the coach, Ayuko Hayami is compromised. 5"Balls to the Wall"
Transliteration: "Nōburēki no seishun" (Japanese: ノーブレーキの青春)Kenji TakemuraMay 24, 1996 (1996-05-24) Kintarō becomes a servant in a traditional-style mansion of a wealthy family, but is quickly dismissed. He then challenges the daughter Reiko Terayama, who abhors men and has a fetish for her motorcycle, to a race. 6"Animation is Fun!"
Transliteration: "Animēshon wa omoshiroi!" (Japanese: アニメーションは面白い!)Hiroyuki KitakuboJune 28, 1996 (1996-06-28) Chie is a cel-painter at the animation studio where Kintaro works as an errand-boy. Production difficulties ensue, and Kintarō must rely on old friends to pull things through.

November 12, 2022. Archived from the original on December 2, 2022. Retrieved December 2, 2022. ^ Da-sol, Kim (March 8, 2023). "Suzume director says he was inspired by 2016 drama Guardian: The Lonely and Great God". The Korea Herald. Retrieved July 15, 2021. ^ Rapir, Jess (March 6, 2020). "'Kingdom' Creator Admits To Unexpected Global Success Of K-Drama, Teases Worldwide Scale Production In Next Seasons". Business Times. Retrieved July 15, 2021.

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Retrieved 3 April 2021. ^ Hipes, Patrick (4 December 2017). "Annie Awards: Disney/Pixar's 'Coco' Tops Nominations". Deadline Hollywood. Archived from the original on 5 December 2017. Retrieved 4 December 2017. ^ "Cartoon Network PromaxBDA Global Excellence Awards 2018 Nominations". RegularCapital. 10 May 2018. Archived from the original on 6 April 2019. Retrieved 3 August 2022. [115] He also argued that this series showed him "how cinematic and emotional animation can be". Accolades[edit] In the 1999 Anime Grand Prix awards for the anime of 1998, Cowboy Bebop won two first place awards: Spike Spiegel was awarded the best male character; and Megumi Hayashibara was awarded the best voice actor for her role as Faye Valentine. Cowboy Bebop also received rankings in other categories: the series itself was awarded the second best anime series; Faye Valentine and Ed were ranked the fifth and ninth best female characters respectively; "Tank!" and "The Real Folk Blues" were ranked the third and fifteenth best songs respectively; and "Ballad of Fallen Angels", "Speak Like a Child", "Jamming with Edward" and "Mish-Mash Blues" were ranked the second, eighth, eighteenth and 20th best episodes respectively. [116] In the 2000 Anime Grand Prix awards for the anime of 1999, Cowboy Bebop won the same two first place awards again: best male character for Spike Spiegel; and best voice actor for Megumi Hayashibara. Other rankings the series received are: second best anime series; sixth best female character for Faye Valentine; seventh and twelfth best song for "Tank!" and "Blue" respectively; and third and seventeenth best episode for "The Real Folk Blues (Part 2)" and "Hard Luck Woman" respectively. [117] In the 2000 Seiun Awards, Cowboy Bebop was awarded for Best Media of the Year. [118] A 2004 poll in Newtype USA, the US edition of the Japanese magazine Newtype, asked its readers to vote the "Top 25 Anime Titles of All Time"; Cowboy Bebop ranked second on the list (after Neon Genesis Evangelion), placing it as one of the most socially relevant and influential anime series ever created. [119] During that same year, Cinefantastique listed the anime as one of the "10 Essential Animations", citing the series' "gleeful mix of noir-style, culture-hopping inclusiveness and music". [120] In 2007, the American Anime magazine Anime Insider listed the "50 Best Anime Ever" by compiling lists of industry regulars and magazine staff, and ranked Cowboy Bebop as the #1 anime of all time. [121] In 2012, Madman Entertainment compiled the votes of fans online for "The Top 20 Madman Anime Titles" and ranked Cowboy Bebop at seventh. [122] Cowboy Bebop has been featured in several lists published by IGN.

With the first episode, whenever the characters interact with each other, it always brings great joy for how well they work together. It might be that the leads are kids (no, not lolis, they range from ages 10-12, and Kiwi is, like, 4), but because they are kids, it makes me feel as if I, myself, am a kid again. Just watching them do what they do across the screen, pulls my heart even more into the story. It truly feels as though I’m standing next to them during their interactions. Due to the leads being kids, they give off the light-hearted sense of adventure. Living joyously, actively, and having fun.