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NGNL. jp. Archived from the original on November 23, 2014. Retrieved January 4, 2015. ^ a b "No Game No Life episode 12" (in Japanese). NGNL.
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4 January 26, 2017[26]978-4-06-369562-5July 9, 2019[27]978-1-64-275109-3 Chapters 24–31. Covers manga posts on Twitter and the Saizensen website from July to November 2016. 5 August 10, 2017[28]978-4-06-369579-3October 22, 2019[29]978-1-64-275714-9 Chapters 32–37. Covers manga posts on Twitter and the Saizensen website from January to July 2017. 6 February 10, 2018[30]978-4-06-511152-9January 7, 2020[31]978-1-64-505192-3 Chapters 38–41. Covers manga posts on Twitter and the Saizensen website from July to December 2017. 7 September 12, 2018[32]978-4-06-513113-8June 16, 2020[33]978-1-64-505459-7 Chapters 42–46. Covers manga posts on Twitter and the Saizensen website from February to August 2018. 8 September 12, 2019[34]978-4-06-516696-3September 22, 2020[35]978-1-64-505744-4 Chapters 47–51. Covers manga posts on Twitter and the Saizensen website from September 2018 to July 2019. Anime[edit] An anime television series adaptation was announced at Anime Expo in July 2022. ” AS IF HE DIDN’T JUST IMPLY THE PREVIOUS GAMBIT WOULD’VE ALREADY REVEALED HIS DARKEST SECRET! Every reveal is completely dependent on wherever God Yuichi is in whatever master plan he happens to be engaged in at any given moment, and if that means even the almightily showrunners themselves have to look surprised or incompetent, then so be it. Every character is made to be fooled, every rule is made to be broken, and everything is made to bend to God Yuichi’s sadistic, malicious will. There can only be one true edgelord to rule them all.Then there’s the themes, which are not only pathetic, but also, perhaps unintentionally, weird and off-putting. Occasionally, one of the showrunners pretentiously applies a generic observation of human behavior onto some event which is only broadly relevant. Anyone who’s gone outdoors for three seconds of their fucking life and has interacted with humans for at least one of those seconds could conjure up similar commentary. Most of the time the characters being commented on are forced into the scenario anyway, and that leads into a more subtle issue with the show—and that’s how dishonest it is. The big, prominent theme is supposed to be choosing between friends or money, and the fact each friend was willing to go into crippling debt to help their friend who just betrayed them should be enough to prove where their loyalties lie. Yet no one ever mentions how this is a misrepresentation of the actual choice being presented, because not being in debt isn’t really the same thing as winning money. These pathetic attempts at theming are rather obvious if you ask me, but the weird and off-putting themes are less so. As discussed, real examinations of friendship don’t matter.