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Archived from the original on October 7, 2012. Retrieved July 6, 2020. ^ "HUNTER×HUNTER/3" (in Japanese). Shueisha. Archived from the original on August 1, 2015. Retrieved July 6, 2020.

[74] Critical reception[edit] Publishers Weekly wrote that the mysterious first volume and Kaku's detailed illustrations, which they found to be reminiscent of Junji Ito's horror manga and give the series an unsettling, gruesome charm, start the series off with promise. [3] Reviewing the first chapter for The Fandom Post, Chris Beveridge gave it a B grade for its artwork, interesting ideas and covering a lot of ground in its setup so it can move forward. The end reveal reminded him of the novel Annihilation. However, he felt the structure was a little awkward and expressed concern that it would fall into the "usual manga storytelling traps. "[75] In a review of the second collected volume, Beveridge's colleague Richard Gutierrez said that while the nightmarishly beautiful images and action might be what initially draws in readers, it is the "underlying complex character construction within this sadistic story which forces us to stay. "[76] Leroy Douresseaux called Hell's Paradise: Jigokuraku volume 1 as one of the best first volumes of a manga tankōbon/graphic novel that he has ever read in a 9/10 review for Comic Book Bin. He stated that Kaku enthralls readers with the mysteries of the island while his illustrations are "like taking some of the most shocking art from the legendary EC Comics' horror titles and multiplying it by the power of 10. "[77] Kiara Halls of Comic Book Resources called the first volume a "great, emotional bloodbath" that provides "bloody, classic shonen action with uncommonly sincere emotional depth. " She explained that while establishing the relationship between Sagiri and Gabimaru forms the crux of the volume, it's an uncommon one as their bond is "of mutual respect formed by an emotional connection," not of dominance or lust. That coupled with "solid, detailed art and supernatural intrigue," had Halls call the series a potential breakout hit. [78] Reviewing the first volume for Anime News Network, Rebecca Silverman and Faye Hopper both gave it 3.

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Besides that, the story is the typical generic isekai having the MC going on quests as an adventurer with the purpose of making him seem like a cool hero.
In terms of production value, the animation is good and the art style is attractive, although the quality went downhill in some episodes towards the end.
Male characters are unlikeable as most of them are portrayed as perverts or cheaters, which I guess is convenient for the underlying ecchi theme going on. Female characters seem to mostly exist for fanservice and to fall for the MC.
Overall, this looks like an ecchi anime that pretended to be a redemption story but ultimately failed at that. Reviewer’s Rating: 1 What did you think of this review? Nice 0 Love it 0 Funny 0 Confusing 0 Informative 0 Well-written 0 Creative 0More reviews by skysurf (12) Show allRead moreShow lessOpen Gift Report
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More newsRecent NewsNorth American Anime & Manga Releases For December Here are the North American anime, manga, and light novel releases* for December. Week 1: December 6 - 12 Anime Releases Gekkan Shoujo Nozaki-kun (Monthly Girls'. [47] Another aspect praised by the same website was the lack of large amount of dialogue needed to describe the characters. [48] Peter Fobian of Crunchyroll commented that Slam Dunk's Hanamichi Sakuragi and Musashi are similar protagonists being young, egotistical prodigies, but that "Musashi is a force of nature. " He went to call Inoue's take on Musashi unique when compared to the ones often depicted in fiction. [49] Comic Book Resources praised the way Musashi addresses Bushido, the Code of the Samurai, which makes him honorable. [50] The story arc where Musashi tries to take care of villagers as it retains the handling of Bushido but without relying on action and using other types of strength, was praised for retaining its pacing. [51][52] Japan Times regarded Musashi's growth from the ruthless warrior to a wise monk warrior to be well executed across the narrative. [53] While comparing the manga with the original novel, William Scott Wilson, the author of The Lone Samurai: The Life of Miyamoto Musashi, noted that the manga is darker and more mature; yet, although "extraordinarily well drawn", it is "no substitute for Yoshikawa Eiji's work". [54] Los Angeles Times regarded Vagabond as a "samurai masterpiece" for the contrast it makes with the novel by deepening the characterization of Musashi and alternate take on the rival Kojiro. Another aspect praised by Los Angeles Times was how the protagonist makes philosophy about strength and his goal as the arc of the Yoshioka where the main character kills 70 men ends with him retaining severe wound on his foot that weakens him and makes him question what is being invincible. [55] According to Hobby Consolas, Vagabond deserves the praise it gets both in narrative and artwork theme. [56] One Piece manga artist Eiichiro Oda claimed he enjoyed the manga for touching deep themes and how it helped Inoue grow as an artist.