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ISBN 4-08-873872-1. [18]One Piece Volume 61 Chapter 598[19]One Piece Volume 66 Chapter 655[20]One Piece Volume 82 Chapter 822[21]One Piece Volume 83 Chapter 835[22]One Piece Vol. 87 Chapter 874-875[23]One Piece Volume 89 Chapter 890[24]One Piece Vol. 90 Chapter 903[25]One Piece Volume 100 Chapter 1013[26]One Piece Volume 101 Chapter 1016[27]One Piece Music & Song Collection I (CD) (in Japanese). Akemi Okamura. Japan: Nippon Columbia. 2000. COCX-30383. cite AV media notes: CS1 maint: others in cite AV media (notes) (link) ^ Between the Wind (CD) (in Japanese). Akemi Okamura. Japan: Avex Entertainment.

It’s no different than watching every other isekai that comes out every season because it looks and feels exactly like them. And I don’t get where the idea of it being a deconstruction is from, this anime has every single trope used in isekai out there, with no change in the normal execution unlike what an actual deconstruction would do. But what’s worse when it actually tries to make a token effort to be irony poisoned by pointing out almost every time an isekai trope is being used and played straight, but let me tell you something, just because you are saying that a certain trope is happening doesn’t stop it from being the same thing as always. So this anime is just the same isekai you see every other season, just knowing that it is using the same tropes as every other isekai, but without doing anything clever with that knowledge, since it won’t go out of its way to not play it straight. If you want to see a series that is actually a parody and a deconstruction of the isekai genre at the same time, then go and watch Konosuba, even if I’m sure a lot of people who are here already watched that one, yet even a rewatch of that anime is more worth your time than watching this one.
The humor is bad, like so bad that I can’t believe they are supposed to be jokes, and even when they are executed well enough, the sheer repetitiveness of them will wear them off extremely quickly. One of the worst offenders of this was in episode 7, do you remember that scene in the fence tournament where Cid “fights” against Rose? Well, that scene has this joke that when Rose attacks Cid, he is thrown in the most ridiculous ways he can, to me that scene wasn’t particularly funny, but wasn’t bad enough, the bad part came after that, the joke was repeated again and again and again and again to the point that it was just a pain to watch. I don’t think that even if you laughed at it the first time you would have enjoyed it by about the 5th time it got repeated in the very same scene. Besides this is also weird with Cid’s character, he doesn’t want to stand out and to be a mob character, but then he goes and stands out again and again making this big clown show that obviously makes him stand out no matter if it is as the idiot that got beaten like a pulp. This is even more jarring to me because I later checked the manga, and while I still have a lot of issues with it, its tone and presentation was a lot better than here in the anime, making me wonder why the hell is the anime trying to be so serious when the source material embraced being absurd, as this adaptation is honestly so somber the times they do attempt a joke, it just sticks out like a sore thumb.
Shadow Garden are a bunch of non-characters, it’s like they don’t exist, they aren’t people, they are plot devices that help Cid do whatever, from gathering information from who knows where to being stupidly strong for the sake of being strong.

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Retrieved March 5, 2017. Info ^ Sheffield, Brandon (June 27, 2008). "Masafumi Takada: Grasshopper's Musical Craftsman". Gamasutra. p. 2.