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Sony's
PlayStation was clearly a mood changer for the release of the NeoGeo CD. Although SNK later spent money to market the NeoGeo CD, there was definitely a different mood around the office with this new product and lowered expectation due to Sony's machine. GS: You experienced your share of ups and downs during your time at SNK. Among them, the censored release of the home AES version of Samurai Shodown and the poorly managed US release of the NeoGeo CD unit. Can you provide some background as to why Samurai Shodown was censored in the US and what reactions were inside the company toward selling the edited game? SNK of America didn't realize the US version of Samurai Shodown was censored until it was too late to do anything about it. CO:To be honest, we didn't know that Samurai Shodown was edited until it was too late to do anything about it. SNK Japan had started to release home versions of English games to Europe before sending them to the US and didn't give us any input into how a particular game would be localized for the North American market. By the time that Samurai Shodown had
reached our warehouse, gray-market versions from Europe had already penetrated the US region, so the company was already in a hurry to just release the game already. Personally, I loved this game from the start. When I received Samurai Shodown and found out it had been censored, I was disappointed. I remember approaching Marty Kitazawa, the president of SNK America, about this fiasco to try to find out what happened and what
they were thinking.
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February 16, 2024. ^ Yahoo!検索大賞アニメ1位は「【推しの子】」 「君たちはどう生きるか」や宮野真守も. Comic Natalie (in Japanese). Natasha, Inc. December 5, 2023.
With no use left for Denji, Public Safety imprisons him. Production[edit] Despite the series' violence and dark humor, Tatsuki Fujimoto always wanted to serialize in Weekly
Shōnen Jump, but he had the feeling that his work would be "buried" if he had made a "Jump-like manga", so he tried to retain much of his individuality as a creator while making only the structure and characters Jump-like. Fujimoto also said that, despite its success in the magazine, he wanted to write the second part of the series on Shōnen Jump+, because he wanted to do a completely different series
from the first part. According to him, there is not much of a difference in working between Weekly Shōnen Jump and Shōnen Jump+, explaining that there were a few depictions that got stopped during the rough draft stage, but he was allowed to do anything he wanted regarding the logic of the story. [5] Fujimoto said that he took inspiration from various works. During the serialization of Chainsaw Man, Fujimoto said that he was too busy, but he watched as many new things as he could and borrowed various elements from what he saw.
