another word for important role
Especially the moments of vulnerabilities, I was wondering how will they handle that, but it was handled amazingly. When the background goes white and vibrant watercolors shift their silhouettes, you know that they’ve given extra care to the more dramatic scenes of Horimiya. Horimiya is a treat, beautifully animated by CloverWorks.
The beautifully animated scenes, combined with the OSTs, especially during the dramatic scenes, the sound is yet another aspect Horimiya thrives at. Starting from the mesmerizing opening sequence, which perfectly fits Horimiya’s theme, to the
unique ending sequence.
One other thing that I must separately mention is the dialogue delivery. This is one of the most important factors to me when I watch an anime. The dialogue delivery feels WAY TOO genuine. The casts are so talented because it is music to my ears. There is no girl who talks in a high pitched voice which is borderline annoying, even Remi talks in a normal way, I expected her to sound annoying. Dialogue delivery is definitely one of the thing I expect the anime to do well, since it doesn’t
exist in manga.
[8] Writing for the Journal of Anime and Manga Studies, Paul Price in his article "A Survey of the Story Elements of Isekai Manga" argues for the existence of four kinds of isekai, based on Farah Mendlesohn's framework of organizing fantasy: "portal-quest", where the protagonist enters the isekai via some kind of portal (Price cites Death March to the Parallel World Rhapsody as an example); "immersive", where no such portal exists and all the action takes place in the other world (Slayers); "intrusion", which are akin to reverse isekai in which the fantastic enters the real world (The Devil Is a Part-Timer!); and "liminal", where the portal becomes a liminal space where the real world and the isekai mix (Restaurant to Another World). [9] History[edit] The concept of isekai has antecedents in ancient Japanese literature, particularly the story of a fisherman Urashima Tarō, who saves a turtle and is brought to a wondrous undersea kingdom. After spending what he believed to be four to five days there, Urashima returns to his home village only to find himself 300 years in the future. Other precursors to isekai include portal fantasy stories from English literature,
notably the novels Alice's Adventures in Wonderland (1865), A Connecticut Yankee in King Arthur's Court (1889), The Wonderful Wizard of Oz (1900), Peter Pan (1904) and The Chronicles of Narnia (1950). [10][unreliable source?] Modern media[edit] See also: List of isekai works The earliest modern Japanese isekai stories include Haruka Takachiho's novel Warrior from Another World (1981), Tatsunoko Production CBN collaborative Christian anime Superbook (1981), and Yoshiyuki Tomino's anime Aura Battler Dunbine (1983). [11][12][13] The earliest isekai anime to involve the protagonist being trapped in the virtual world of a video game was the film Super Mario Bros. : The Great Mission to Rescue Princess Peach! (1986), based on the hit video game Super Mario Bros. (1985); the anime film adaptation involves Mario playing a video game that comes to life, making it an ancestor of the "trapped in a video game" subgenre of isekai. [11][14] Other early anime and manga titles that could be classified as isekai include Mashin Hero Wataru (1988 debut), NG Knight Ramune & 40 (1990 debut), Fushigi Yûgi (1992 debut), El-Hazard (1995 debut), and The Vision of Escaflowne (1996 debut), in which the protagonists stayed similar to their original appearance upon entering a different world. [15][16] Other 1990s titles identified as isekai include the novel and anime series The Twelve Kingdoms (1992 debut),[17] the manga/anime/game franchise Magic Knight Rayearth (1993 debut),[17] the
visual novel adventure game YU-NO: A Girl Who Chants Love at the Bound of this World (1996),[18][19] the manga and anime series Inuyasha (1996 debut), and the anime series Now and Then, Here and There and Digimon Adventure (both 1999 debut). Spirited Away (2001) was one of the first isekai anime films known worldwide, although the term "isekai" was not commonly used at the time.
In Japan, the match between Japan and Paraguay ends 3–0 with the following scorers: Gakuto, Wakashimazu and Nitta. In Spain, Barcelona plays against Atlético Madrid and Fersio Torres (inspired by
Fernando Torres)
quickly scores a goal. However, Barcelona replies quickly and Tsubasa scores two goals. The Asia qualifications begins and Japan beats Malaysia (6–0 for the first match and 5–0 for the return match), Thailand (2–0 for the first match, 3–0 for the return match) and Bahrain (3–0 for the first match and 5–0 for the return match) and qualifies to the third round. In the third round, Japan beats Vietnam 5–0, draws against Saudi Arabia 1–1 and loses against Australia 3–1. Standings after day 3 (of 6): Australia 9, Japan and Saudi Arabia 4 and Vietnam 0.
