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The story of a young delivery boy who becomes a drift-racing legend. The story of a young delivery boy who becomes a drift-racing legend. CreatorShuichi ShigenoStarsShin'ichirô MikiSteve BlumRobbie RistSee production info at IMDbProIMDb RATING8. 5/104KYOUR RATINGRatePOPULARITY3,9602Top creditsCreatorShuichi ShigenoStarsShin'ichirô MikiSteve BlumRobbie Rist18User reviews5Critic reviewsSee production info at IMDbProEpisodes26Browse episodesTopTop-rated1 Season1998Videos8Trailer 1:14Watch Initial D: Fourth StageTrailer 1:14Watch Initial D: Second and Third StageTrailer 1:16Watch Initial D: First Stage: The Complete Collection (S. A. V. Club. The Onion. Archived from the original on March 9, 2009. Retrieved March 10, 2009. ^ "Cowboy Bebop - Original Sessions - Background".[99][100] As yuri gained further recognition outside Japan, some artists began creating original English-language manga that were labeled as yuri or having yuri elements and subplots. Early examples of original English-language yuri comics include Steady Beat (2003) by Rivkah LaFille and 12 Days (2006) by June Kim, which were published between 2005 and 2006. Additionally, more English-developed visual novels and indie games have marketed themselves as yuri games. [101] This has been aided by the Yuri Game Jam, a game jam established in 2015 that takes place annually. [102] By the mid-2010s, yuri video games also began to be officially translated into English. In 2015, MangaGamer announced they would be releasing A Kiss for the Petals, the first license of a yuri game to have an English translation. MangaGamer went on to publish Kindred Spirits on the Roof in 2016, which was one of the first adult visual novels to be released uncensored on the Steam store. [103] Analysis[edit] Demography[edit] While yuri originated in female-targeted (shōjo, josei) works, the genre has evolved over time to also target a male audience. Various studies have been undertaken to examine the demography of yuri fandom. [104] Publisher studies[edit] The first magazine to study the demographics of its readers was Yuri Shimai (2003–2004), who estimated the proportion of women at almost 70%, and that the majority of them were either teenagers or women in their thirties who were already interested in shōjo and yaoi manga. [105] In 2008, Ichijinsha made a demographic study for its two magazines Comic Yuri Hime and Comic Yuri Hime S, the first being targeted to women, the second to men.
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