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Later in the story, he becomes Akira's second-in-command, before he begins to lose control of his powers. Eventually, Kei battles Tetsuo, unlocking his full power and triggering another psychic explosion. Akira, watched by his fellow Espers, absorbs Tetsuo's explosion by creating one of his own. With Akira and the espers, he ascends to a higher plane of existence. The Colonel (大佐, Taisa) The Colonel (born November 15, 1977),[11] last name Shikishima (敷島), is the head of the secret government project conducting research on psychic test subjects (including the Esper children, Tetsuo, and formerly Akira). Although he initially appears to be an antagonist, the Colonel is an honorable and dedicated soldier committed to protecting Neo-Tokyo from any second onslaught of Akira. Later in the story, he provides medical aid to an ill Chiyoko and works with Kei. He is usually referred to by Kaneda as "The Skinhead", due to his distinctive crew cut. The Espers The Espers, also known as the Numbers (ナンバーズ, Nanbāzu), are three children who are test subjects for the secret project. They are the only survivors of the test, following that of Lady Miyako (No. 19), and given numbers between twenty and thirty.

It’s great that highly respected titles in the anime community are making a comeback after years of waiting, and that might inspire future sequels to come, for shows like No Game No Life, or Land of the Lustrous for example.
The Devil is a Part-Timer was a top-tier isekai I watched perhaps a year ago for the first time. It had a solid premise, good comedy, . and was animated by studio White Fox, a rather top-tier studio. When Season 2 was announced, and that there was a studio change, to Studio 3Hz, I was skeptical, but of course I’d give it a try. The character designs were certainly a step down from Season 1 (which already didn’t have the greatest designs), and with time, the animation degraded immensely. It wasn’t just the production that took a nosedive though, the plot did too, and it became quite the snoozefest at times.
My grading criteria: Story: /25 Art: /10 Music: /10 Characters: /20 Enjoyment /15 Thematic Execution /20
STORY: 7. 5/25
Was this show always this slow and was it really a slice-of-life? There were a few interesting plot points to be explored, but they never really went to solid detail with them.

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1 First Series (1999) 3. 2. 1. 1 Original Video Animations 3. 2. 2 Second Series (2011) 3. 3 Films 3. 4 CDs 3. 5 Musicals and Theatrical Play 3. 6 Video Games 3. 7 Other Merchandise 4 Reception 4. " He concluded: "Society is to blame for degrading people into tools and objects; these mangas [sic] seem to be saying, though they never outright blame Capitalism or the alienating repressiveness of Japanese society. The result is one of the more unique manga out there. "[129] Collins commented that the series has a premise "loosely" comparable to Jujutsu Kaisen, adding, however, that Denji might fit the mold of a shōnen protagonist on paper, but that the mold is "only there to be broken," comparing his "life on the fringes of society" to a "Dickensian parable about the plight of the working class. "[122] Dacey called Denji "a more honest shōnen hero than the typical Jump lead; he thinks and acts like a real teenage boy, right down to his self-absorption and total objectification of women," adding that she could not say she "ever warmed to Denji as a lead character. "[127] Lee commented that the series has an "interestingly goofy contrast between the characters and what's going on," adding that Denji's simple mind and "kind-of-horny instincts" can get tiring at times, but it does not make the series bad, and with the introduction of the "extremely interesting side characters," like Power and Makima, the story "takes a turn for the better. "[123] Its way of handling comedy has also been commented. Tantimedh stated that the series has a "unique sense of deadpan comic timing" that "makes the series unique," adding as well that the series distinguishes itself for its slapstick comedy and that a "deadly earnest" tone might have made the series unreadable. [129] Beckett said that when he read the premise, he took the series at face value as a "goofy nonsense comic, a parody of shōnen manga that primarily exists to push out page-after-page of gross-out gags and gory action," also calling it "a mishmash of raunchy teen sex comedies, Hellboy, and The Evil Dead. "[120] Dupree stated that the "crass, crude, and purposefully lowbrow" humor is one of its defining characteristics, adding that there are multiple jokes where it feels like half the punchline is that the series, "in all its gleefully nihilistic indulgence," was published in the same magazine as other "bleedingly sincere and family-friendly" titles like One Piece or My Hero Academia. [121] Neatrour said: "[t]here's a level of off-kilter humor in Chainsaw Man that I find endearing," and that it also has "plenty of juvenile humor. "[125] Davinson commented that the humor of the series mainly revolves around Denji trying to get a girlfriend.