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Because of the possible combinations of starting and finishing hands, and raised-legs, there are many variations on the basic under-the-legs dunk—more so than any other. [46] For example, in a 1997 French Dunk contest, Dali Taamallah leapt with his right leg while controlling the ball with his left hand, and once airborne he transferred the ball from his left hand, underneath his right leg to his right hand before completing the dunk. [47] NBA star Jason Richardson has also pioneered several notable variations of the between-the-legs including a lob-pass to himself[48] and a pass off of the backboard to himself. [49] Independent athlete Shane 'Slam' Wise introduced a cuffed-cradle of the ball prior to initiating the under the leg transfer and finishing with two-hands. [50] While a number of players have finished the dunk using one- or two-hands with their backs to the rim, perhaps the most renowned variant of the dunk is the combination with a 360°, or simply stated: a 360-between-the-legs. Due to the athleticism and hang-time required, the dunk is a crowd favorite and is heralded by players as the preeminent of all dunks.

HIDIVE. September 13, 2022. Archived from the original on February 5, 2023. Retrieved September 14, 2022. ^ Mateo, Alex (December 20, 2023). "The Eminence in Shadow Series Gets Anime Film". Anime News Network. Archived from the original on December 20, 2023. Retrieved December 20, 2023. ^ 「陰の実力者になりたくて!マスターオブガーデン」11月29日にサービスを開始,事前登録を受付中。PVや新たなキービジュアルも公開に. 4Gamer.

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With the future of Tootsuki at stake, Souma and Erina must push far beyond the limits of their abilities, using everything they learned from their mentors and ultimately drawing from their experiences cooking together as friends. [Written by MAL Rewrite] StudioJ. C. Staff SourceManga ThemeSchool DemographicShounen 7. 74 611K Add to My List Kiss x Sis (TV) 573127 6. 59 20100405 Kiss x Sis (TV) TV, 2010Finished 12 eps, 24 min Comedy Romance Ecchi Kiss x Sis (TV) After Keita Suminoe's mother passed away, his father promptly remarried, introducing two step-sisters into Keita's life: twins Ako and Riko. But since their fateful first encounter, a surge of incestuous love for their younger brother overcame the girls, beginning a lifelong feud for his heart. Now at the end of his middle school career, Keita studies fervently to be able to attend Ako and Riko's high school. While doing so however, he must resolve his conflicting feelings for his siblings and either reject or succumb to his sisters' intimate advances. Fortunately—or perhaps unfortunately for Keita—his sisters aren't the only women lusting after him, and there's no telling when the allure of temptation will get the better of the boy as well. [Written by MAL Rewrite] Studiofeel. [10] Araki's consistent focus on the Joestar family was intended to give a feeling of pride as well as the wonder and mystery surrounding the lineage. [9] Araki originally planned the series as a trilogy, with the final confrontation taking place in present-day Japan. However, Araki did not want Part 3 to be a tournament affair, which was popular in Weekly Shōnen Jump at the time, and therefore decided to make it a "road movie" inspired by Around the World in Eighty Days. [11] With Part 4, Araki said that he moved away from "muscle men" as they fell out of popularity with readers and he wanted to focus more on fashion. When designing his characters' outfits, Araki considers both everyday fashion and "cartoonish, bizarre clothing that would be impractical in real life". [12] For Part 6, Araki wrote a female protagonist for the first time which he found complicated, but also interesting due to the humanity she could possess. [13] He later described Part 2's much earlier supporting character Lisa Lisa as fresh and "unheard of" in both manga and society in general for its time, and said it was exciting to challenge people's expectations with the female warrior-type. [6] Having not specifically set out on creating a disabled character, Araki explained that Part 7's paraplegic Johnny Joestar was a natural result of wanting to show a character who could grow, both physically and mentally, during a race where "he would be forced not only to rely on other people, but horses as well. "[12] Araki uses unique onomatopoeia and poses in the series, which he attributes to his love for heavy metal and horror films. [14] The poses, which are known in Japan as JoJo-dachi (ジョジョ立ち, lit. "JoJo standing"), are iconic on his book covers and panels, and were inspired by Araki's trip to Italy in his 20s and his studies of Michelangelo's sculptures.