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Archived from the original on November 3, 2020. Retrieved November 3, 2020. ^ Pineda,
Gustavo (November 30, 2020). "Panini Manga publicará Chainsaw Man en México". Cine Premiere (in Spanish). Archived from the original on December 1, 2020. Retrieved December 1, 2020. ^ a b Loo,
Egan (December 10, 2020). "Final Demon Slayer: Kimetsu no Yaiba Manga Volume Sells Record 2. 855 Million in 1 Week". Anime News Network.
Crystal Heroes has a somewhat 70s/80s shoujo art style to it as well as using several manga visual tropes. Danger Zone One employs a visual style specifically drawn to appear like a manga. Demon Candy: Parallel is drawn in a Yonkoma fashion. Devil's Candy mixes manga-esque art with typical Western settings. Fitting, since the duo behind the series were veterans in the OEL Manga scene and got a one-shot of theirs published in Shonen Jump. Dominic Deegan's style has been described as being on the cheap end of animeshun. The Dreamcatchers Masquerade uses an anime-influenced art and animation style. Earthsong is a Fantasy Webcomic with manga inspiration. El Goonish Shive's visual style has always been anime-inspired, and
grown more so over time. The series leans heavily on anime tropes as well, both for humor and as serious plot points. Notably, it is explicitly mentioned several times
that blue, purple, pink, green, etc.
[20] He also stated
that he likes stories with bad endings, as well as horror stories. However, he finds these difficult to draw since his mood when he draws is the same in the story. In order to combat this, he puts in more silly-looking characters like Fat Gum, in order to keep the mood up. [20] The series explores themes such as the nature of heroism, the importance of perseverance and determination, and the power of friendship and teamwork. Horikoshi said that he was inspired by the idea of creating a world where anyone, regardless of their background or abilities, could become a hero. He wanted to show that even those without powers could still make a difference and achieve their dreams through hard work and determination. [21] That vision results in heroes in the series not being egotistical, but passionate and dedicated individuals with clear goals to work towards. [22] The series also explores on Izuku, who idolized heroes from a young age, and his enthusiasm. In a world where superheroes are not just regulated, but commercialized brands, he still sees something inspiring in their actions. [22] My Hero Academia has been noted for its positive view of heroes. Cramer wrote that "in the modern world, we often challenge heroic ideals, and the motivations of the people who pursue them", noting how in
American media the optimism of the Silver Age of Comic Books lead to post-Watchmen ambiguity.
