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The anime was produced by Free-Will, a music record label. A second 24-episode series, titled Grappler Baki: Maximum Tournament (グラップラー刃牙 最大トーナメント編) as it tells the story from that part of the manga, aired from July 23, 2001, to December 24, 2001. All of the series' music was written and composed by "Project Baki", and all the theme songs performed by Ryōko Aoyagi. The first anime's opening theme is "Ai Believe" (哀 believe), while its closing theme is "Reborn". For the second series, "All Alone" is used as the opening and "Loved. " as the closing. Baki the Grappler:
Original Soundtrack was released on March 27, 2003.
Both series were licensed for a North American English release by Funimation Entertainment.
[49] A total of 62 episodes of Hunter × Hunter were broadcast on the Japanese terrestrial television network Fuji Television from October 16, 1999 to March 31,
2001 during the same Saturday evening timeslot as the anime version of Togashi's previous series YuYu Hakusho. [3][50][51] Additionally, Hunter × Hunter has aired on the satellite television station Animax. [52][53] Although it closely
follows the manga, the violence in the anime version is lessened for younger audiences. [3] Marvelous Entertainment has released all episodes of the series in Japan on DVD in 13 separate volumes between September 20, 2000 and September 19, 2001. [54] Viz Media licensed the Hunter × Hunter anime for distribution in the Region 1 market, with English voice-work handled by the Ocean Group at Blue Water Studios in Calgary, Alberta, Canada. [11][55] The series was released on four DVD boxed sets from December 9, 2008 to December 1, 2009.
If you’re sold on that premise, you should check out Vivy: Fluorite Eye’s Song. I was surprised to see that Vivy branched a typical sci-fi action series
into a thoughtful exploration of what makes us human. The show has many hearty episodes that focus on the complex natures of jealousy, greed, and loneliness. Some of the standout episodes even rival that of an introspective Cowboy Bebop episode (the anime not the live-action show) in how they let ideas and heartbreaking
scenes breathe. Plus, when the action hits, it hits. Vivy’s sick-ass fight scenes feature some of the smoothest movie-quality sakuga animation I’ve seen in an anime series, which shouldn’t come as any surprise since Wit Studio is the same production company behind the first three seasons of Attack on Titan.
