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Lewis, ISBN 978-0-06-065292-0 ^ Dictionary of Burning Words of Brilliant Writers. 1895. p. 485. ^ Claghorn, George. To Deborah Hatheway, Letters and Personal Writings (Works of Jonathan Edwards Online Vol. 16). ^ a b Hollow, Matthew (2014). "The 1920 Farrow's Bank Failure: A Case of Managerial Hubris". Journal of Management History. Durham University.

At that moment, Guédira and Belkacem, who had previously been called in by Assane, appear on the scene and arrest him. 155"Chapter 5"Xavier GensGeorge Kay, Adam Usden, François Uzan5 October 2023 (2023-10-05) Despite Assane's betrayal, Benjamin staunchly refuses to give him up to the police. However, Guédira is shocked when he discovers Assane sitting in his office. Assane promises that he will allow himself to be arrested if Guédira helps him out. Although apprehensive, Guédira accepts the offer. Assane disguises Guédira as a collector of stolen art and instructs him to meet with Manon, another of the kidnappers, and Ferdinand, in order to buy the Manet painting from them.

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Kiyoshi meets Chiyo Kurihara, an avid sumo fan and becomes the first of the five to have talked to a girl; they decide to go to a sumo tournament. Later, Kiyoshi's friends formulate a plan to record video of the girls' baths. When Kiyoshi drops his phone inside the bathroom, he sneaks in to retrieve it. Chiyo discovers him, but mistakes him for her friend Mayumi. However, the Underground Student Council (USC) catches Kiyoshi's friends, and ultimately Kiyoshi is also caught by their President, Mari Kurihara. As punishment, the five are sentenced to one month in the school's prison, where Kiyoshi becomes awestruck at the guys' masochistic outlooks after the constant abuse by the Vice-President Meiko Shiraki. Shortly after, Meiko enlists the help of Hana Midorikawa, the USC's Secretary, to oversee the boys. After Kiyoshi tends to a baby crow, he meets Chiyo and promises he will meet her at the sumo match. As Hana attempts to urinate beneath him however, a crow knocks him off the tree branch and he witnesses Hana urinating, much to her embarrassment. 2"The Man Who Viewed Too Much"
Transliteration: "Shirisugiteita otoko" (Japanese: 尻すぎていた男)Daisuke TakashimaJuly 18, 2015 (2015-07-18) Meiko and the others rush to the scene of a crying Hana, and the boys are ordered back to the prison. As Mari and her father, the school's Chairman, have a discussion about the prisoners, Mari tells the boys that they have up to three hours of free time on the weekends (including furloughs), inspiring Kiyoshi and the others to become model prisoners. Eren zips around the scenes of the movie, fighting bad-guys and pulling off amazing stunts with beautifully rendered graphics and an amazing ost- but then hardcut to Eren getting mad at himself and people around him but not actually advancing the plot for 1/3rd of the movie as the action grinds to a halt. Add some comedic relief (if you want a Bay comparison, the classic transformers out of place masturbation joke fits well) including possibly some potatoes after a traumatic scene and then slap on the illusion of having a deep plot and you have Shingeki no Kyojin. It's a typical summer blockbuster! You go in, watch it, enjoy it, then leave and forget about it! I'm really not saying you're not allowed to enjoy it because it's shallow and noisy, I'm just saying you shouldn't walk in expecting a revolutionary masterpiece of anime- which is what some critics are raising it up to be.
STORY- 4 : The story's foundations are put up well, but the actual progression falls flat as no questions are ever really answered and the plot never seems to want to go in a single direction.
ART- 9 : The art is amazing! There are some worse-off scenes and some animation glitches, but the art is one of the things that makes Shingeki no Kyojin stand out from the crowd. Even though I am not a huge fan of the anime itself, I have a massive poster above my computer of it as we speak.