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The final single from the album, "Not That Kinda Girl", was released in 2005 and peaked at number eighty-five in Germany. [27] In December 2004, she was nominated for Female New Artist of the Year and Mainstream Top 40 Single of the Year at the Billboard Music Awards, becoming the youngest artist ever to be nominated at the awards. Later that month, JoJo was requested by First Lady Laura Bush to perform on the 2004 Christmas in Washington special. [28] In 2005, JoJo participated in "Come Together Now", a charity single to benefit the victims of the 2004 Asian tsunami and the 2005 Hurricane Katrina. JoJo hosted and performed at the
Hope Rocks Concert in 2005 to benefit City of Hope National Medical Center. In 2005, she was offered a role on the Disney Channel television series Hannah Montana, but she
turned down the role in favor of developing her music career. [29][30] 2006–2007: The High Road and acting[edit] Main article: The High Road (JoJo album) In 2006, JoJo was cast opposite Emma Roberts and Sara Paxton in Aquamarine, playing Hailey. The film opened on March 3, 2006, opening at number five with $7. 5 million. [31] Her second major film, RV, a comedy starring Robin Williams, was released on April 28, 2006. It opened at number one and grossed $69.
In Australia, Perfect Blue aired on the SBS Television Network on April 12, 2008, and previously sometime in mid 2007 in a similar timeslot. The film had a theatrical re-release in the United States by GKIDS on September 6 and 10, 2018, with both English dubbed and subtitled screenings. [33] GKIDS and Shout! Factory released the film on Blu-ray Disc in North America on March 26, 2019. [34] Analysis[edit] In an analysis of Perfect Blue and Kon's other works, professor Susan Napier states that "Perfect Blue announces its preoccupation with perception, identity, voyeurism, and performance – especially in relation to the female – right from its opening sequence. The perception of reality cannot be trusted, with the visual set up only to not be reality, especially as the psychodrama heights towards the climax. "[35] Napier also sees themes related to pop idols and their performances as impacting the gaze and the issue of their roles.
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