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Considering the sheer degree of prevalence the isekai genre has enjoyed ever since the
early 2010s, no doubt because it provides publishers like Kadokawa a lot of money, it makes sense that isekai too would become susceptible to these kinds of remarks from its own works.
But *The Eminence in Shadow* makes the mistake of assuming that being meta is the same as being funny or a worthwhile piece of entertainment. Glimpsing the greater picture, or making casual reference to things that viewers would recognize, is perhaps a short-term solution. But that does not guarantee that the inner substance of the story will be able to stand on its own two feet, either. Within its audience-conscious asides, it attempts to fashion a fantastical story of Cid Kagenou, a fashions-himself-as-the-ultimate-warrior man who attempts to make the best of both worlds, so to speak. Treating his reincarnated situation as the chance to live out his ultimate fantasy, he adopts the moniker of the background everyman archetype on one hand and the “Eminence in Shadow” in the other. Getting involved, investigating, and dispensing his own form of justice when he sees fit, he treats his new environment as a playground rather than being full of actual people with consequences.
Therein lies its initial draw, and its first real gag; take the common thought that many isekai protagonists
have (that they’re either dreaming / don’t take their new situation seriously enough), and have it last for the entire show. This gag quickly devolves into overreliance; *The Eminence in Shadow* spends so much of its time with Cid making jokes about the isekai world, drawing upon his knowledge of its conventions and general structure. But the show is confusing its meta remarks for comedic cleverness. Cid is seemingly incapable of going ten minutes without making a remark akin to, “At a time like this, X would happen!” or “Doing Y would be so awesome!” These moments are meta humor at its most flaccid, requiring no creativity to make its point.
You've got to . listen to tracks like "Modorenai Omoi" and "Miteiru Dake de" – they're like ear candy. Who would've thought this story would take a samurai turn at the end? Reviewer’s Rating: 8 What did you think of this review? Nice 0 Love it 0 Funny 0
Confusing 0 Informative 0 Well-written 0 Creative 0More reviews by Slainmaster24 (1) Show allRead moreShow lessOpen Gift Report Feb 7, 2024 akira_ari Not Recommended School Days: the anime
that makes you question your life choices and wonder if you'd be better off pursuing a career as a professional rock collector. It's like they took a perfectly good teen drama and put it in a blender set to 'utter insanity. '
First off, let's talk about the main character, Makoto. I've seen cardboard cutouts with more personality. He's the kind of guy who would probably choose a sandwich over his own girlfriend because it's less demanding.
The animation quality is like a roller-coaster – not because it's thrilling, but because it goes up and down more times than a yo-yo on a .
Shidōin (指導員【しどういん】), intermediate instructor, also unrelated to grade. Shishō (師匠【ししょう】), another title
used for martial arts instructors. Zeki (関【ぜき】, literally "barrier"), used for sumo wrestlers in the top two divisions (sekitori). Levels of black belts are occasionally used as martial arts titles: Shodan – 1st dan Nidan – 2nd dan Sandan – 3rd dan Yondan – 4th dan Godan – 5th dan Rokudan – 6th dan Shichidan or Nanadan – 7th dan Hachidan – 8th dan Kudan – 9th dan Jūdan – 10th dan Religion[edit] Shinpu (神父,しんぷ), Orthodox or Catholic priest (lit. Godfather). A Catholic priest (司祭,しさい, shisai, lit. minister of worship) receives this title. Bokushi (牧師,ぼくし), Protestant minister. This title is given to a Protestant minister (司祭,しさい, shisai). Euphonic suffixes and wordplay[edit] In informal speech, some Japanese people may use contrived suffixes in
place of normal honorifics. This is essentially a form of wordplay, with suffixes being chosen for their sound, or for friendly or scornful connotations.
