dark gathering manga final
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guideCast & crewUser reviewsTriviaFAQIMDbProAll topics梨泰院ClassOriginal title: Itaewon KeullasseuTV Series202013+1h 10mIMDb RATING8. 2/1019KYOUR RATINGRatePOPULARITY1,950272Play trailer0:471 Video99+ PhotosDramaRomanceAn ex-con opens a street bar in Itaewon, while also seeking revenge on the family who was responsible for his father's death. An ex-con opens a street bar in Itaewon, while also seeking revenge on the family who was responsible for his father's death. An ex-con opens a street bar in Itaewon, while also seeking revenge on the family who was responsible for his father's death. CreatorGwang JinStarsPark Seo-joonKim Da-miYoo Jae-myungSee production info at IMDbProIMDb RATING8.
Fuji TV. ^
Toei Animation (May 27, 2001). "太古の島! リトルガーデンに潜む影!". One Piece. Season 2.
Episode 70.
Recovered from their final fight, the three part ways grateful for their
shared adventure. Setting and themes[edit] Series director Shinichirō Watanabe defined the central theme of Samurai Champloo as the portrayal and acceptance around death, themes he had previously explored in his science fiction series Macross Plus (1994) and Cowboy Bebop (1998). [5] Another theme outlined in the series pitch was individuality and finding one's unique identity. [6] The series is set in Edo period Japan, roughly sixty years after the end of the Sengoku period. [7] While a historical time period, the anime does not focus on historical detail beyond minor inclusions and references, mainly using contemporary-style dialogue and behavior. [5][8] A conscious inclusion was emphasising cultural acceptance and tolerance of minorities including the indigenous Ainu people, foreigners, LGBT people, and Christians; the historical Edo period was a time when Japan was highly structured, conformist and isolationist. [5][9] Due to its Edo setting and incorporation of samurai culture and honor codes, Watanabe was worried the anime would be seen as nationalistic in tone, prompting its focus on minorities and tolerance. [10] Watanabe put in as much as he could manage of these themes and subjects, challenging earlier limitations imposed by a lack of historical information from the time and Japanese television codes restricting the portrayal of Japanese minorities in the period. [5] The main cultural influence on the anime is the music and associated subculture of hip hop. [11] Watanabe had been a fan of hip hop music from his high school years, citing his first exposure as "The Message" by Grandmaster Flash and the Furious Five. He compared the samurai culture to hip hop through a similar philosophy of self-identity.
